joni mitchell – 4x Circle http://4xcircle.com/ Thu, 13 Jan 2022 03:40:56 +0000 en-US hourly 1 https://wordpress.org/?v=5.9 https://4xcircle.com/wp-content/uploads/2021/11/icon-120x120.jpg joni mitchell – 4x Circle http://4xcircle.com/ 32 32 Joni Mitchell’s song “The Circle Game” as a childhood hymn in college https://4xcircle.com/joni-mitchells-song-the-circle-game-as-a-childhood-hymn-in-college/ https://4xcircle.com/joni-mitchells-song-the-circle-game-as-a-childhood-hymn-in-college/#respond Wed, 15 Sep 2021 07:00:00 +0000 https://4xcircle.com/joni-mitchells-song-the-circle-game-as-a-childhood-hymn-in-college/ In his song “The Circle Game”, Joni Mitchell tells the story of a child who becomes an adult, expressing the inevitability of time and growth. It’s a popular camp song, which I had a love-hate relationship with throughout my early years. The melody was pleasant, but the chorus, which is repeated after each phase of […]]]>

In his song “The Circle Game”, Joni Mitchell tells the story of a child who becomes an adult, expressing the inevitability of time and growth. It’s a popular camp song, which I had a love-hate relationship with throughout my early years. The melody was pleasant, but the chorus, which is repeated after each phase of the child’s life, had corresponding dance movements. The choreography, in which everyone participated, asked me to get up from my comfortable position in the grass. During this time, I was thinking less of “being captive on the carousel of time” – as the lyrics detailed – and more of being captive in a boring cycle of getting up and sitting down. For that reason alone, “The Circle Game” and I were touch and go.

Of course, when I was eight, my entire career in the camp was touch and go. I was an anxious and fearful child who could only get on the camp bus because my twin sister was excited about the idea. I didn’t want to stay in the dust, so even though I wasn’t ready, I went to the camp. Every morning, as soon as my eyes opened in my designated bunk bed, I focused my attention on my bedside window. I kept them locked there until I spotted my manager Gabe and his dog Brooklyn as they made their way to the office for the morning management team meeting. As soon as they hit my line of sight, I catapult myself out of bed with unstoppable energy propelling myself out of the cabin. From that moment until the rest of the day, I would sit in Gabe’s office and cry.

Sometimes I was pushed to spread my wings and, dare I say it, to leave the office. I wandered aimlessly around the camp, always crying to anyone who wanted to listen to me or maybe even to myself. Although humorous now, it was a tragic sight back then. Yet in hindsight, the scene also miraculously mirrors Joni Mitchell’s portrayal of the young child: “Yesterday a child went out to wander… scared when the sky was full of thunder and in tears at a star’s fall. “


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Joni Mitchell’s “The Circle Game”: Songs Of Remembrance: NPR https://4xcircle.com/joni-mitchells-the-circle-game-songs-of-remembrance-npr/ https://4xcircle.com/joni-mitchells-the-circle-game-songs-of-remembrance-npr/#respond Fri, 05 Mar 2021 08:00:00 +0000 https://4xcircle.com/joni-mitchells-the-circle-game-songs-of-remembrance-npr/ Paula Einbender (step one), her favorite grandchildren (step two) and her favorite daughters Megan (left) and Rebecca (right). Rebecca Nolé hide caption toggle legend Rebecca Nolé Paula Einbender (step one), her favorite grandchildren (step two) and her favorite daughters Megan (left) and Rebecca (right). Rebecca Nolé More than 500,000 people have died in the United […]]]>

Paula Einbender (step one), her favorite grandchildren (step two) and her favorite daughters Megan (left) and Rebecca (right).

Rebecca Nolé


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Rebecca Nolé


Paula Einbender (step one), her favorite grandchildren (step two) and her favorite daughters Megan (left) and Rebecca (right).

Rebecca Nolé

More than 500,000 people have died in the United States from COVID-19 since the pandemic hit this country and the world just over a year ago. NPR remembers some of those who lost their lives listening to the music they loved and hearing their stories. We call our tribute Songs Of Remembrance.

My mother, Paula Einbender, loved musicals and singing folk music. From family reunions to long car trips, singing (despite our talents) was one of them.

Although my mother died of complications from COVID-19, she had also suffered from Parkinson’s disease for several years. I believe the social isolation dimension of the pandemic accelerated his death. She was alone in her room for the last 84 days of her life and her symptoms, such as hallucinations, became more disruptive.

My sister, aunt and I started relying on daily video calls to keep in touch with her. My children and I sang regularly with her. We looked through the folk song book Get up singing page by page, spending hours playing and singing songs she knew by heart.

By the time she started to fall and was taken to the hospital for observation, she couldn’t handle the video call technology, but the amazing nursing staff helped us out. We were able to organize “private concerts” for him from our living room.

The songs she was most engaged in were the ones that had made sense throughout her life. Singing through tears and laughter every day for hours on end surely helped us, but also helped my mom – who, with no visitors or social contact to anchor her, drifted further and further away every day. I think the music and seeing her grandchildren learning the songs she loved brought her some comfort and peace.

Joni Mitchell’s “Circle Game” is a song that I remember mom sang to me and my sister when we were little. Handsome and spellbinding, he has always been a family favorite. She sang it for me on a mix of cassettes that she made for me when I left for summer camp. I remember feeling it was such a mature and pretty song that revealed so much about life. I’ve been singing the song to my kids since they were babies, and my sister has done the same with her kids. We will always think of mom when we hear her.

Last year the lyrics stood out in a new way for me. I was able to watch and feel how, “The seasons go round and round and the painted ponies rise and fall / We are captive in a carousel of time / We cannot return, we can only watch / Behind where we are have been / And are going round and round on the circle game. “

My mom was a great mom and she loved being a grandmother. Her love for music and singing will live on in her grandchildren, which would give her comfort to know. –Rébecca Nole, daughter

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Paula Einbender, 66: “The Circle Game” by Joni Mitchell https://4xcircle.com/paula-einbender-66-the-circle-game-by-joni-mitchell-2/ https://4xcircle.com/paula-einbender-66-the-circle-game-by-joni-mitchell-2/#respond Fri, 05 Mar 2021 08:00:00 +0000 https://4xcircle.com/paula-einbender-66-the-circle-game-by-joni-mitchell-2/ More than 500,000 people have died in the United States from COVID-19 since the pandemic hit this country and the world just over a year ago. NPR remembers some of those who lost their lives listening to the music they loved and hearing their stories. We call our tribute Songs Of Remembrance. My mother, Paula […]]]>

More than 500,000 people have died in the United States from COVID-19 since the pandemic hit this country and the world just over a year ago. NPR remembers some of those who lost their lives listening to the music they loved and hearing their stories. We call our tribute Songs Of Remembrance.


My mother, Paula Einbender, loved musicals and singing folk music. From family reunions to long car trips, singing (despite our talents) was one of them.

Although my mother died of complications from COVID-19, she had also suffered from Parkinson’s disease for several years. I believe the social isolation dimension of the pandemic accelerated his death. She was alone in her room for the last 84 days of her life and her symptoms, such as hallucinations, became more disruptive.

My sister, aunt and I started relying on daily video calls to keep in touch with her. My children and I sang regularly with her. We looked through the folk song book Get up singing page by page, spending hours playing and singing songs she knew by heart.

By the time she started to fall and was taken to the hospital for observation, she couldn’t handle the video call technology, but the amazing nursing staff helped us out. We were able to organize “private concerts” for him from our living room.

The songs she was most engaged in were the ones that had made sense throughout her life. Singing through tears and laughter every day for hours on end surely helped us, but also helped my mom – who, with no visitors or social contact to anchor her, drifted further and further away every day. I think the music and seeing her grandchildren learning the songs she loved brought her some comfort and peace.

Joni Mitchell’s “Circle Game” is a song that I remember mom sang to me and my sister when we were little. Handsome and spellbinding, he has always been a family favorite. She sang it for me on a mix of cassettes that she made for me when I left for summer camp. I remember feeling it was such a mature and pretty song that revealed so much about life. I’ve been singing the song to my kids since they were babies, and my sister has done the same with her kids. We will always think of mom when we hear her.

Last year the lyrics stood out in a new way for me. I was able to watch and feel how, “The seasons go round and round and the painted ponies rise and fall / We are captive in a carousel of time / We cannot return, we can only watch / Behind where we are have been / And are going round and round on the circle game. “

My mom was a great mom and she loved being a grandmother. Her love for music and singing will live on in her grandchildren, which would give her comfort to know. –Rébecca Nole, daughter

Copyright NPR 2021.


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Circle Game re-imagines Joni Mitchell’s music in Chilliwack – Hope Standard https://4xcircle.com/circle-game-re-imagines-joni-mitchells-music-in-chilliwack-hope-standard/ https://4xcircle.com/circle-game-re-imagines-joni-mitchells-music-in-chilliwack-hope-standard/#respond Wed, 13 Mar 2019 07:00:00 +0000 https://4xcircle.com/circle-game-re-imagines-joni-mitchells-music-in-chilliwack-hope-standard/ Take 29 songs from Joni Mitchell’s massive discography and re-conceptualize them, Circle game: reinventing the music of Joni Mitchell is an endearing take on the musical influence and continuing relevance of a Canadian legend. On March 14, the Arts Club on Tour brings the music of Joni Mitchell to Chilliwack and shows it through the […]]]>

Take 29 songs from Joni Mitchell’s massive discography and re-conceptualize them, Circle game: reinventing the music of Joni Mitchell is an endearing take on the musical influence and continuing relevance of a Canadian legend.

On March 14, the Arts Club on Tour brings the music of Joni Mitchell to Chilliwack and shows it through the eyes and ears of a new generation.

The “re-imagination” of Mitchell’s work comes primarily from co-creator and director Andrew Cohen. His radical rearrangements of Mitchell’s classics give songs a new sound as he speeds up or slows down songs, rhythmically changes them, and even redistributes lines between multiple voices with innovative harmonies and counterpoints. Co-creator and director Anna Kuman brings her arrangements to life with her imaginative staging and lively choreography.

When they were kids, they listened to Joni’s vinyl records while their parents sang, happily out of tune, wondering what it was, Kuman and Cohen explained. Upon hearing his music again as young adults, they realized that the themes and images in his music were unlike anything they had heard before.

Nominated for three Jessie Richardson Awards, five Ovation Awards and won the 2018 Ovation Award for Outstanding Professional Production and Outstanding Musical Direction, Circle game is something incredibly special and not to be missed.

As they delved into Mitchell’s diverse canon and deep words, they became increasingly aware that this music, although written four or five decades ago, was much more than the sounds of their parents’ generation.

Those familiar with Mitchell’s work and those unfamiliar with him will be able to grasp the words that remain relevant despite the years, as the cast connects his influential music to the politics and world we know today. Kuman and Cohen Think Everyone Can Benefit Circle Game.

“Our hope for die-hard Joni fans and those less familiar with his work is that you leave the preconceptions at the door and allow yourself to live (or relive) the messages of his prose right now, in 2019, through the mouths of young people in their twenties, ”Kuman says.

“We have come to see this work as both a window and a mirror. The set, lighting and wardrobe are mostly second-hand, reimagined from their original context, just like the music and lyrics, ”Cohen explains. “They were born before our time, but we still feel a sense of belonging or stewardship. This experience arose out of the desire to create a piece that would both bridge a generational gap and ask their unresolved questions in a modern context. Just as Millennials inherited the problems left to us by previous generations, so too have we embraced their wisdom, warnings, and witticisms. “

From the iconic “Big Yellow Taxi” from Mitchell to “River” to “California”, Circle game is a heartfelt ode to the entire catalog of a Canadian icon. Whether you’re a fan or not, it’s a show that will make you feel closer to the songs that inspired and defined a generation.

Circle game: reinventing the music of Joni Mitchell arrives at the Chilliwack Cultural Center on March 14 at 7:30 pm Tickets in Zone A are $ 45 for adults, $ 42 for seniors and $ 40 for youth. Tickets in Zone B are $ 39 and tickets in Zone C are $ 29. Tickets can be purchased at the Centre’s box office, online at www.chilliwackculturalcentre.ca, or by calling 604-391-SHOW (7469).


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CIRCLE GAME brings the music of Joni Mitchell to life! https://4xcircle.com/circle-game-brings-the-music-of-joni-mitchell-to-life/ Mon, 11 Mar 2019 07:00:00 +0000 https://4xcircle.com/circle-game-brings-the-music-of-joni-mitchell-to-life/ After touring North Vancouver, West Vancouver, Mission and Surrey, the Arts Club’s traveling show CIRCLE GAME stopped in Coquitlam last week. Playing in Coquitlam at the Evergreen Cultural Center from March 6-9, CIRCLE GAME is a “reimagining of the music of Joni Mitchellfeaturing many of his hit songs such as ‘Both Sides Now’, ‘A Case […]]]>

After touring North Vancouver, West Vancouver, Mission and Surrey, the Arts Club’s traveling show CIRCLE GAME stopped in Coquitlam last week. Playing in Coquitlam at the Evergreen Cultural Center from March 6-9, CIRCLE GAME is a “reimagining of the music of Joni Mitchellfeaturing many of his hit songs such as ‘Both Sides Now’, ‘A Case of You’ and ‘Big Yellow Taxi’. Along with many other stops on their BC tour, the magic of Joni MitchellThe music will reach audiences near and far.

I attended the last performance of CIRCLE GAME in Coquitlam on March 9th. As someone who only knew a few of the Joni Mitchell‘s, I walked into the show not knowing what to expect. I was very impressed with the mood of the stage when entering the theatre. Being in a smaller venue, there wasn’t much space for a very exquisite set; however, I think the show was able to use the smaller space effectively. The sets designed by Carolyn Rapanos featured two wall structures (one standing and one hanging) composed mostly of second-hand instruments. The intricacies of these fixed structures paired with the smoky haze and lighting dovetail perfectly with the carefree feel of Joni Mitchellis the music.

Overall, CIRCLE GAME was a different theatrical experience than the Arts Club musicals I’ve attended in the past. Unlike the usual “textbook” musical featuring the songs of a particular group or genre such as “Mamma Mia” or “Motown: The Musical”, CIRCLE GAME contained a minimalistic and irregular plot. Instead of a flowing story connected by each song, it seemed disconnected. Except for a few songs here and there that focused on the romantic relationships between the performers, it was hard to see how it all fit together. I was able to pick up on some plot points through acting and non-verbal cues from the performers; however, I would have preferred the show to incorporate dialogue between songs to better connect the audience to Joni Mitchellmusic and/or a possible script. Without a clearly obvious story, the show gave off more of a “concert vibe” than a “musical one”.

While the show may not appeal to those who are fans of “manual” style music and musicals, this show is definitely worth watching for the incredible talent of the cast. Featuring Samantha Bourque, Kimmy Choi, David Z. Cohen, Benjamin Millman, Scott Perrie and Adriana Ravalli, each performer brought something new and unique to Mitchell’s music. I was deeply impressed by the virtuosity each actor displayed over the multitude of instruments they played during each song. From guitar to drums to piano keys to a variety of unique percussion instruments, each actor’s musicality went beyond my expectations. In terms of vocal abilities, the cast did not disappoint. The quality and passion of each voice lent itself beautifully to Mitchell’s music. “Big Yellow Taxi” was my favorite song they sang on the show. Growing up, my parents used to play this song in the car on our road trips, so the song is close to my heart. The song was sung towards the end of the show beginning with Scott Perrie singing followed by the rest of the cast. Their enthusiasm as they sang the song brought energy to the audience and ended the show on a high note.

CIRCLE GAME is a show that moves away from the normal confinement of a “musical” and approaches it with a new look. Although it’s not for everyone, I appreciate the interesting direction the show has taken to celebrate Joni Mitchellis the music. The Arts Club‘s traveling show CIRCLE GAME will be presented at the Anvil Center in New Westminster on March 12 for the next leg of its multi-city tour of British Columbia.

Ticket prices start at $29 and are available at https://artsclub.com/shows/on-tour/2018-2019/circle-game. For more information on the show and its upcoming tour dates, please visit the Art Club website at https://artsclub.com/.

Photo credit: Emily Cooper


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Joni Mitchell’s rearranged hits in Surrey on “Circle Game” musical tour – Surrey Now-Leader https://4xcircle.com/joni-mitchells-rearranged-hits-in-surrey-on-circle-game-musical-tour-surrey-now-leader/ Tue, 12 Feb 2019 08:00:00 +0000 https://4xcircle.com/joni-mitchells-rearranged-hits-in-surrey-on-circle-game-musical-tour-surrey-now-leader/ A musical that reinterprets Joni Mitchell’s many hits will tour Surrey and other Lower Mainland towns over the next month or so. Presentation of the Arts Club Theater Company Circle game riffs on a Firehall Arts Center production created by East Vancouver residents Andrew Cohen and Anna Kuman. Launched in the spring of 2017, the […]]]>

A musical that reinterprets Joni Mitchell’s many hits will tour Surrey and other Lower Mainland towns over the next month or so.

Presentation of the Arts Club Theater Company Circle game riffs on a Firehall Arts Center production created by East Vancouver residents Andrew Cohen and Anna Kuman.

Launched in the spring of 2017, the show is billed as a “reinvention” of Mitchell’s folk, pop and jazz songs, including “Big Yellow Taxi”, “Chelsea Morning”, “Help Me”, “Woodstock”, “River”, ” A Case of You “and many others, with six performers singing and playing multiple instruments.

“In Circle game a young generation of talented creators and performers have embraced Joni Mitchell’s music and created their own take on what it means to them, ”notes Donna Spencer, artistic producer at Firehall, in the to visit program. “Hauntingly, Mitchell’s lyrics and poetry remain relevant today, revealing his genius and creativity in connecting with time and place. “

British Columbia South Coast Tour Begins Thursday (February 14) in North Vancouver and ends March 26 in Courtenay, with dates at the Surrey Arts Center from Wednesday February 20 through Saturday March 2.

The two-hour show stars Samantha Bourque, Kimmy Choi, David Z. Cohen, Benjamin Millman, Scott Perrie and Adriana Ravalli.

Winner of the Ovation Awards 2017 for Outstanding Professional Production and Outstanding Musical Direction, Circle game focuses on Mitchell’s music with new arrangements and choreography, but without much plot, according to World premiere review by Marsha Lederman at the Vancouver Fire Station – a track called “Circle Game” is a messy tribute to Joni Mitchell. “

As directors, Kuman and Cohen say their hope is “for die-hard Joni fans and those less familiar with his work, is that you leave the preconceptions at the door and allow yourself to live (or relive) the messages of his prose. right now, in 2019, through the mouths of the twenty-one.

Their thoughts on the show are published in the to visit program.

“As kids, we listened to Joni’s vinyl records while our parents sang, happily out of tune, wondering what it was,” Kuman and Cohen write. “Listening to his music again as young adults, we realized that the themes and images in his music were unlike anything we had heard before.

“As we delved into Ms. Mitchell’s diverse canon and deep lyrics, we came to realize more and more that this music, although written four or five decades ago, was much more than the sounds of the generation of our parents. We have come to see this work as both a window and a mirror.

The show’s set, lighting and wardrobe are mostly second-hand – “reinvented from their original context, much like the music and lyrics,” they continue. “They were born before our time, but we still have a sense of ownership or stewardship. This experience arose out of the desire to create a piece that would both bridge a generational gap and ask their unresolved questions in a modern context. Just as Millennials have inherited the problems left to us by previous generations, so have we embraced their wisdom, warnings, and witticisms. “

Circle game tour dates are posted on the Arts Club website (artsclub.com).

Tickets for the Surrey shows range from $ 29 to $ 49 and are available at tickets.surrey.ca, or dial 604-501-5566. A number of “value-added performances” are plannedincluding opening night appetizers (February 20), dessert and coffee on the first Friday (February 22), Paint at the Play for kids (February 23), a pre-show chat (February 26), Talkback Thursday (February 28) and VocalEye live audio description for people with vision loss (March 2).



tom.zillich@surreynowleader.com

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Five reasons to discover Circle Game in tribute to Joni Mitchell https://4xcircle.com/five-reasons-to-discover-circle-game-in-tribute-to-joni-mitchell/ https://4xcircle.com/five-reasons-to-discover-circle-game-in-tribute-to-joni-mitchell/#respond Wed, 09 Jan 2019 08:00:00 +0000 https://4xcircle.com/five-reasons-to-discover-circle-game-in-tribute-to-joni-mitchell/ Breadcrumb Links Local arts Circle Game: Reinventing Joni Mitchell’s Music, January 12 – February 12. 9, Fire Station Arts Center. Tickets: Starting at $ 25 at firehallartscentre.ca. Author of the article: Shawn conner Release date : Jan 09, 2019 • January 10, 2019 • 1 minute read • Join the conversation From left to right, […]]]>

Circle Game: Reinventing Joni Mitchell’s Music, January 12 – February 12. 9, Fire Station Arts Center. Tickets: Starting at $ 25 at firehallartscentre.ca.

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Circle game: reinventing the music of Joni Mitchell

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When: 12 Jan-Feb 9

Or: Fire station arts center

Tickets: From $ 25 to firehallartscentre.ca

1. Inspiration. Joni Mitchell continues to influence and inspire new generations of fans. Circle Game features nearly 30 of the Saskatchewan-raised singer-songwriter’s most beloved songs, including Chelsea Morning, Help Me, Free Man in Paris, Both Sides Now and Big Yellow Taxi. The songs have been rearranged for various instruments and voices, and to reflect current musical trends in pop.

2. East Van was born and raised. Joni may be from the Prairies, but co-directors / creators Andrew Cohen (music director) and Anna Kuman (choreography) call East Vancouver “home”. Their credits include several theatrical productions, as well as Olympic opening and closing ceremonies.

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3. Return of the casting. Four artists from the original Vancouver run from May 2017 are back. These include Scott Perrie, Adriana Ravalli, Kimmy Choi and David Z. Cohen. They sing, play various instruments and dance in routines choreographed by Kuman.

4. New cast members. Samantha Bourque (Toronto) and Benjamin Millman (Vancouver), who performed in August 2018 at the Persephone Theater in Saskatoon, bring their talents to this production.

5. A case of growth on you. Circle Game’s debut series in Vancouver sold out several performances at the Firehall and garnered three Jessie Award nominations. Writing in these pages, Jerry Wasserman noted that “the spectacle grows within you. Kuman’s staging and choreography becomes more and more imaginative as the evening progresses, and some of the arrangements are exceptional – A Case of You sung as a duet, Raised on Robbery slowed down to a sultry ballad, Down to You in six a cappella parts and a killer rework of Big Yellow Taxi.

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Is there more to this story? We would love to hear from you about this story or any story you think we should know about. Send an email to vanips@postmedia.com.


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“We revere his music”: Circle Game pays homage to Joni Mitchell’s songs https://4xcircle.com/we-revere-his-music-circle-game-pays-homage-to-joni-mitchells-songs/ https://4xcircle.com/we-revere-his-music-circle-game-pays-homage-to-joni-mitchells-songs/#respond Thu, 16 Aug 2018 07:00:00 +0000 https://4xcircle.com/we-revere-his-music-circle-game-pays-homage-to-joni-mitchells-songs/ Breadcrumb Links Music A production featuring the music of one of Saskatoon’s greatest music icons takes the stage at the Persephone Theater as a “bonus show”. Author of the article: Matt Olson Release date : Aug 16, 2018 • Aug 16, 2018 • 2 minutes to read • Join the conversation (Left to right) Samantha […]]]>

A production featuring the music of one of Saskatoon’s greatest music icons takes the stage at the Persephone Theater as a “bonus show”.

Content of the article

A production featuring the music of one of Saskatoon’s greatest music icons takes the stage at the Persephone Theater as a “bonus show”.

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Circle Game is a jukebox-style show featuring music and lyrics by Joni Mitchell. Created by Anna Kuman and Andrew Cohen of Vancouver, it is billed as a “reimagining” of Mitchell’s most iconic works.

Kuman said she was hesitant to call it a “jukebox musical” because to her and Cohen it sounded like more than that.

“The message of the parenting material is what guides you,” she said. “This has always been our goal: not to erase what she created, but rather to develop it. “

Kuman said they started playing around with the idea for the show around the time of Mitchell’s 70th birthday. This is not a note-for-note concert of his music, however; songs are arranged and adjusted for the six-person cast.

(Left to right) Samantha Bourque, David Z Cohen and Scott Perrie perform during a rehearsal for <a class=the Circle Game summer musical at the Persephone Theater in Saskatoon, Saskatchewan on Wednesday August 15, 2018.” class=”embedded-image__image lazyload” src=”https://smartcdn.prod.postmedia.digital/thestarphoenix/wp-content/uploads/2018/08/0815-fuller-play-kn-02.jpg?quality=90&strip=all&w=288″ srcset=”https://smartcdn.prod.postmedia.digital/thestarphoenix/wp-content/uploads/2018/08/0815-fuller-play-kn-02.jpg?quality=90&strip=all&w=288, https://smartcdn.prod.postmedia.digital/thestarphoenix/wp-content/uploads/2018/08/0815-fuller-play-kn-02.jpg?quality=90&strip=all&w=576 2x” height=”750″ loading=”lazy” width=”1000″/>
(Left to right) Samantha Bourque, David Z Cohen and Scott Perrie perform during a rehearsal for the Circle Game summer musical at the Persephone Theater in Saskatoon, Saskatchewan on Wednesday August 15, 2018. Photo by Kayle Neis /Saskatoon StarPhoenix

The show is not the same kind of musical production for Mitchell’s music as Mamma Mia! is for ABBA’s music: there is no connection plot used as the framework for the songs. Kuman described the production as a cycle of songs linked by themes.

Cohen said they’ve created new song arrangements to try and connect the older generation of “die-hard fans” with a new generation who are just starting to learn and love Mitchell’s work.

“We have tried with great diligence and respect to honor the lyrics and the ideas behind the music…

“Trying to make it into something that our age would recognize today, but also something that people who grew up with his music would recognize, was a really cool challenge.”

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Saskatoon has had a somewhat controversial relationship with Mitchell in recent years; some plans to honor the singer fell through in 2013. However, she recently received an honorary degree from the University of Saskatchewan, two plaques were created in her honor and a catwalk was named in her name earlier this summer.

Singer Gillian Snider performs at the Persephone Theater during the unveiling of a plaque honoring artist Joni Mitchell in Saskatoon, Saskatchewan on Sunday June 10, 2018.
Singer Gillian Snider performs at the Persephone Theater during the unveiling of a plaque honoring artist Joni Mitchell in Saskatoon, Saskatchewan on Sunday June 10, 2018. Photo by Kayle Neis /Saskatoon StarPhoenix

To Kuman and Cohen’s knowledge, Mitchell did not attend their show when it first aired in Vancouver. The two said they were doing their best to balance creating new arrangements of her music while keeping the messages that resonated so loud with her fans.

Cohen said big Joni fans might be a little surprised with some of the arrangements, but Kuman said the music that made Mitchell famous is still here for everyone to hear.

“We revere his music,” she said. “None of the musicians claim to be Joni. They just tell him stories through their own lens.


When: August 15 to 26

Or: Rawlco Radio Room, Remai Arts Center

Tickets: $ 49 to $ 55.

Box office:persephonetheatre.org and 306.384.7727


maolson@postmedia.com


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Arts Club to Present ‘The Piano Teacher’, ‘Blind Date’ and ‘Circle Game’ in Surrey Next Season – Surrey Now-Leader https://4xcircle.com/arts-club-to-present-the-piano-teacher-blind-date-and-circle-game-in-surrey-next-season-surrey-now-leader/ https://4xcircle.com/arts-club-to-present-the-piano-teacher-blind-date-and-circle-game-in-surrey-next-season-surrey-now-leader/#respond Mon, 05 Feb 2018 08:00:00 +0000 https://4xcircle.com/arts-club-to-present-the-piano-teacher-blind-date-and-circle-game-in-surrey-next-season-surrey-now-leader/ Surrey audiences will see productions by The piano teacher, Blind date and Circle game as part of the Arts Club Theater Company’s upcoming season, which begins this fall. The company’s new artistic director, White Rock-raised Ashlie Corcoran, announced her 55th season at a media event Monday February 5 at the BMO Theater Center in Vancouver. […]]]>

Surrey audiences will see productions by The piano teacher, Blind date and Circle game as part of the Arts Club Theater Company’s upcoming season, which begins this fall.

The company’s new artistic director, White Rock-raised Ashlie Corcoran, announced her 55th season at a media event Monday February 5 at the BMO Theater Center in Vancouver.

Replacing local theater icon Bill Millerd, Corcoran said she is aiming for an eclectic line-up in 2018-19 that celebrates local talent, provides opportunities for emerging artists and strengthens diversity.

“I have organized 11 plays by Canadians, 11 by women, seven by artists from British Columbia and four by artists of color or Aboriginal artists,” she said.

The company’s next season will begin at the Industrial Alliance Stanley Stage with The curious incident of the dog during the night, a play by Simon Stephens adapted from the novel by Mark Haddon.

Corcoran said: “The original production I saw in London was one of the most fascinating plays I have ever seen. The script calls for a unique blend of theatricality, from intricate technical design prowess to low-tech body storytelling by the actors. This combination creates theatrical magic and is a form of theater that I think will delight our audience. “

The other five upcoming shows at Stanley are Sweat (“A working class drama and 2017 Pulitzer Prize winner” by Lynn Nottage), a revival of Millerd’s production of Beauty and the Beast, the comedy of Thornton Wilder The Matchmaker, (“Mixtures and confrontations in a classic farce ”), The orchard (after Chekhov) (“Set in the Okanagan Valley, a Canadian Take on a Timeless Family Drama,” by Sarena Parmar) and Mathilde the Musical (“The imaginative hit musical based on the Roald Dahl story”).

The Arts Club has a long history of touring productions on the main stage of the Surrey Arts Center, and next season’s offerings are a cover of Dorothy Dittrich The piano teacher (subtitled “Lessons on Life and Love”, on tour in the region from October 4 to November 16), Spontaneous Theater’s Blind date (“An actor. An audience member. A blind date”, on tour from January 4 to February 8) and the creation Andrew Cohen / Anna Kuman Circle game (“Reimagining the work of Joni Mitchell”, on tour from February 15 to March 30).

The company’s Granville Island stage will be busy next season with Mustard (“An unconventional comedy about growing up”, by Kat Sandler), Miss Bennet: Christmas in Pemberley (” Celebration Pride and Prejudice followed ”, by Lauren Gunderson and Margot Melcon), Shoplifters (“A hilarious and biting story about the haves and have-nots of society”, by Morris Panych), Bed and breakfast (“A lovely comedy about coming home and coming out, by Mark Crawford) and Mom’s the Word: Nest ½ empty (“a new generation of laughs, by Mom’s the Word Collective).

Elsewhere, the Goldcorp stage at the BMO Theater Center will feature Blind date (Rebecca Northan also plays on tour), True crime (“A Gender Mixing Review of a Con artist”, by Torquil Campbell and Chris Abraham), Redpatch (“A historical drama about a young Métis soldier”, by Raes Calvert and Sean Harris Oliver) and The big jump (“A theatrically athletic feat,” by Lauren Yee).



tom.zillich@surreynowleader.com

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Circle Game revisits iconic Joni Mitchell tunes https://4xcircle.com/circle-game-revisits-iconic-joni-mitchell-tunes/ Fri, 28 Apr 2017 07:00:00 +0000 https://4xcircle.com/circle-game-revisits-iconic-joni-mitchell-tunes/ Circle Game: Reimagining the Music of Joni Mitchell, Firehall Arts Center, April 29 to May 20 (premieres until May 3). The cast of the set includes Kimmy Choi, David Z. Cohen, Rowen Kahn, Scott Perrie, Adriana Ravalli and Sara Vickruck. Tickets available from firehallartscentre.ca. The words of Canadian singer-songwriter Joni Mitchell cross the generations in […]]]>

Circle Game: Reimagining the Music of Joni Mitchell, Firehall Arts Center, April 29 to May 20 (premieres until May 3). The cast of the set includes Kimmy Choi, David Z. Cohen, Rowen Kahn, Scott Perrie, Adriana Ravalli and Sara Vickruck. Tickets available from firehallartscentre.ca.

The words of Canadian singer-songwriter Joni Mitchell cross the generations in the musical performance Circle Game.

The messages in his lyrics helped define an era in the late ’60s and’ 70s and are now placed in a modern context through a reimagining of his music.

Until recently, Mitchell’s songs existed for her only as part of her parents’ playlist, says co-conspirator and production manager Anna Kuman.

In 2013, the year of Mitchell’s 70th birthday, Kuman and Andrew Cohen, collaborator and spouse, were intrigued by the renewed press around the legendary musician.

“That’s when we started to immerse ourselves in his lyrics and his music. At that time, we were truly overwhelmed by the poignantness of his words and the way that, even though they were written 40 years ago, they really spoke to us today, ”she says.

Mitchell’s early successes placed her in a time of change and turbulence for youth and young adults, with the emergence of modern feminism and the impact of the Vietnam War reflected in her music.

In 1970, Mitchell headlined a concert at the Pacific Coliseum that launched Greenpeace and funded their protests against nuclear weapons testing.

His activism through art is what drew Kuman and Cohen to his message as they began to realize the intense parallels between the issues of his youth and those facing millennials today.

In Kuman’s production, she focused on the political, environmental and economic commentary present in the lyrics of songs like “The Fiddle and the Drum”, “Big Yellow Taxi” and “All I Want”.

“Our experience now is to have these songs interpreted again in a modern way through the mouths of young people. “
Kuman says that through exploring Mitchell’s music, they refined a message of a sense of unmooring and a desire to find a connection in the community.

“We came back from a millennial perspective and we asked ourselves, with all this technology, does it help us to be more closely connected or does it make us feel more separated and more distant from each other? ? ” she says.

The idea of ​​community has changed considerably from when Mitchell performed in Toronto bars and New York cafes, but the issue of human relations and peer support remains relevant as young people and young people alike. artists create media to represent their generation.

With six interdisciplinary performers and 18 instruments, the group will create modern variations on Mitchell’s catalog.

The artists’ physical performance on stage will describe the story Mitchell’s lyrics describe, Kuman says.

“We didn’t add anything except his own words. In many of Joni’s lyrics she paints very vivid images of characters and circumstances, so we really tried to stick with that.

Kuman had three weeks to prepare for the production in 2014 with the help of Gillian Barber at Capilano University as the inaugural performance of the theater incubator project.

“At that time, we only had about 20 songs and we did a workshop presentation just to get everything together and see what we had.

They performed at the Arbutus Theater with three students enrolled in the same theater program Kuman graduated from in 2005.

“We really got to explore and experience the arrangements,” she says.

Now, with 28 songs on their setlist, audiences can expect “moments of intimacy along with moments of big, big, huge vocal and instrumental riffs” coupled with the passionate and timeless message Mitchell’s lyrics deliver.

The six-artist group carries on the legendary lyrics of the Canadian artist and will attempt to bridge a generational gap by breathing new life into Mitchell’s music.


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