Ram Jams: Taylor Swift comes full circle with “Red”

Kind: Pop, Country

On a playlist with: Phoebe Bridgers, Adele, Carrie Underwood

The season of fall is upon us, and so is the power of Taylor Swift. On a mission to own all of her albums again, she re-recorded her first six albums, with “Fearless” released earlier this year.

“Red” started Taylor’s transition from country to pop, and the reissue takes me back to my elementary school solo singing iconic hits like “We Are Never Ever Getting Back Together” and “22”, as if j was in a relationship and not 8 years old. With an album full of bitterness, love, loss and an alleged vendetta against Jake Gyllenhaal, Swift made us feel miserable and magical all at the same time.

In a Instagram After announcing the album’s re-release earlier this year, Taylor Swift said that “the world is a different place for the broken-hearted.” The unreleased tracks from the Vault and new lyrics to “All Too Well” aptly describe the mosaic of feelings Taylor Swift was experiencing in her early 20s, and she does a great job of unearthing forgotten emotions from her past relationship.

The album’s most anticipated song, the 10-minute version of “All Too Well,” is an incredibly vulnerable cinematic work of art – surpassing the grief fans felt in the original version of the song. The new lyrics walk us through Swift’s relationship (fans assume with Jake Gyllenhaal) with someone who is much older than her.

There is no discretion between Swift and her fans this time around. She doesn’t filter her emotions in this poetic song, and she surpasses all fans’ expectations when she first mentioned the 10 minute version of “All Too Well” in 2012.

She looks back on her 21-year-old party, where her boyfriend didn’t show up. She sings “It’s supposed to be fun being 21”, making her hit song “22” a bigger part of “Red” history – a celebration of a new age and the healing of old ones. injuries.

Now “All Too Well” is a work of art that she happily celebrates with her fans.

Listening to this new version of “All Too Well” feels like watching a movie; as a result, Swift released a short film for the song starring Dylan O’Brien, Sadie Sink and herself. The movie actually created at AMC Lincoln Center in New York.

The film follows the character of O’Brien who breaks the heart of young Sink – Sink being Swift’s replacement – and Sink’s progress throughout the breakup. Fans see footage of the couple fighting, kissing, having fun together and ultimately breaking up. The film ends with the protagonist’s elderly (played by Swift herself) presenting her book “All Too Well,” which is supposed to detail her relationship experiences.

The ending meant how the meaning of the song had changed for Swift. When “All Too Well” was first released, Swift couldn’t perform it without crying; now it’s a piece of art that she happily celebrates with her fans, just like the read at the end of the short where Swift as the author presents her story to readers.

Fans can hear how much Swift’s voice has progressed over the years.

The way Swift beautifully expresses her feelings resonates with her fans in such a magical way. “Nothing New” with singer-songwriter Phoebe Bridgers sums up being a student entering adulthood perfectly. As they sing together, “How can a person know everything at 18 / But nothing at 22?”

Although it is now recognized as a pop album, songs from the “Red” Vault feature Swift’s signature country style. “I Bet You Think About Me” is a duet with Chris Stapleton where Swift pokes fun at her ex’s “cool indie music concerts” and “organic shoes”. We finally have his own versions of “Babe” and “Better Man”, which were country hits that Swift gave to other artists (Sugarland and Little Big Town) to record them. “Girl At Home,” which was originally recorded as a country song, turns to pop / electronic on the re-recorded album. She captures the essence of the 2012 version of Red with her playful background laughter and commentary throughout the songs, while creating a more polished production.

The album’s singles, “We Are Never Ever Getting Back Together”, “22” and “I Knew You Were Trouble” feature a more mature adult voice. The music is hollow because Swift’s voice is heard more clearly with the music in the background. Fans can hear how much Swift’s voice has progressed over the years. Swift’s laugh after the lyrics “with a much cooler indie record than mine” in “We Are Never Ever Getting Back Together” took on increased prominence in the re-recording due to the release of her award-winning indie-folk album. of a Grammy “Folklore.” “I Knew You Were Trouble” features a fierce electric guitar – signifying its transition to pop music.

“It was bold, it was crazy, it was out of control, it was passionate, it was important.” Taylor Swift

Finally, we come to his main song “Red”. When asked why she called her 2012 album “Red”, Swift responded that the colors mentioned in the song correlated with all the emotions she felt while writing this album and when it broke up. Loving him was red; As Swift says, “It was bold, it was crazy, it was out of control, it was passionate, it was important.”

The red emotion was the most important part of the album as it incorporated all the good and bad that she had experienced into her relationship. This song is more rock and electronic than the rest of the songs, highlighting the boldness and experimentation with which she wrote the album.

It’s amazing how far Swift has gone with “Red”. It was the album that turned me into Swiftie. I remember watching her performance “All Too Well” at the Grammys and seeing the tears rolling down her face – and now the song holds a special place in her heart because of the fans and their relationship to the song. Swift has come full circle and matured with her emotions – love was “burning red” to her but now it’s golden, as she sings in her song “Afterglow” from her eighth album, “Lover”.

This bittersweet album perfectly sums up the feeling of love, loss and fury. Nine years after its original release, Red still captivates fans, and I think I speak for all of the Swifties when I say we can’t wait to see this “Red” era begin again.

The bottom line: Taylor Swift’s version of Red portrays the growth of her character and the maturation of her voice, and the momentum the album receives essentially portrays Taylor’s ever-growing popularity in the music industry.

The tops : “Nothing New”, “All Too Good (10 minute version)”, “Red” and “Babe”

The valleys: “We’ll never get back together” and “Forever Winter”

The verdict: 10/10

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