City Life Org – A Ring of Fire by Paul Maheke for Public Audience will be shown on the High Line June 28-30

Paul Maheke, A Ring of Fire for a Public Audience (2018). Installation view, Chisenhale Gallery, 2018. Produced by Chisenhale Gallery, London. Commissioned by the Chisenhale Gallery and the Vleeshal Center for Contemporary Art, Middelburg. Photo: Mark Blower.

This will be the first American presentation of the performance and Maheke’s first public performance in New York.

High Line Art announces A Ring of Fire for a Public Audience, a performance by artist Paul Maheke. The presentation of The High Line will be the first time this compelling performance has been presented in North America, finding new resonances in the unique public space as three performers explore the body as a historical archive. Performances of A Ring of Fire for Public Hearing will take place on the High Line at 14th Street beginning at 7 p.m. on June 28, 29 and 30, 2022. A Ring of Fire for Public Hearing is hosted by Melanie Kress, High Line Art Associate Curator.

Paul Maheke is an artist working in performance, video, sculpture and installation. Her performances are mainly based on dance and movement, often accompanied by voice-overs or poetic scripts; they explore the ways in which bodies can act as archives of history and personal experience.

A Ring of Fire for a Public Audience expands on Maheke’s ongoing engagement with the potential of the body as an archive; the performance deals with the formation of history, memory and identity. In the work, three performers (Morgan “Emme” Bryant, Lucy Hollier, and Rafaelle Kennibol-Cox) channel different characters as if possessed by ghostly entities. Their movements and dialogue explore hypervisibility and erasure as they unfold in historical marginalization and contemporary political movements.

On the High Line in the 14th Street Passage, the artwork is presented outdoors for the first time, opening up the experience to passers-by and an avid audience. As with many of his works, Maheke invites performers to activate the unique architecture of the space, fusing props, costumes and decor. Her choreography blends movement references drawn from pop culture, postmodern art history and contemporary music, drawing the viewer through the passage with layers of movement, speech and music.

“Paul Maheke is a captivating choreographer whose work to date has been seen primarily by audiences in Europe; it’s very exciting to bring this performance to New York and North America for the first time,” said Melanie Kress, Associate Curator of High Line Art. “Paul’s work asks important questions about what it means to be a body on stage, and how one person is able to contain many shared and overlapping stories in a single gesture. It encourages us to reflect on what is seen and what is not seen, both in a single person’s performance, but also in our broader cultures and histories.

A Ring of Fire for a Public Audience was commissioned by the Chisenhale Gallery, London, England and the Vleeshal Center for Contemporary Art, Middelburg, The Netherlands.

Performances are free and open to the public; visitors are encouraged to RSVP online. The work lasts about 45 minutes. The closest entrances to the High Line for the show are located at Gansevoort Street and 14th Street. The nearest elevator is located on 14th Street near 10th Avenue.

All people with disabilities are encouraged to attend. To request additional information regarding accessibility or program accommodation, please contact Constanza Valenzuela ([email protected]) at least five days prior to the event. Program venues are wheelchair accessible and ASL interpretation can be arranged for the performance on Wednesday, June 28, 2022. The rain date for ASL interpretation is Thursday, June 29, 2022.

Paul Maheke (born in 1985 in Brive-la-Gaillarde, France) lives and works in Montpellier, France. Her work has been featured in solo presentations at The Renaissance Society, Chicago, Illinois (2021); Pinault Collection, Paris, France (2021); and South London Art Gallery, London, England (2016). He has participated in group exhibitions and festivals at institutions such as ICA Miami, Florida (2019); Center Pompidou, Paris, France (2018); Tate Modern, London, England (2017); and Serpentine Galleries, London, England (2016). It has been featured in major international exhibitions including Glasgow International, Scotland (2021); 58th Venice Biennale, Italy (2019); Baltic Triennial 13, Estonia (2019); and Manifesta 12, Palermo, Italy (2018).

Founded in 2009, High Line Art commissions and produces a wide range of artwork on the High Line, including site-specific commissions, exhibitions, performances, video programs and a series of panel interventions. display. Led by Cecilia Alemani, Director and Chief Curator of Donald R. Mullen, Jr. of High Line Art, and presented by High Line, the arts program invites artists to think about creative ways to engage with architecture, unique history and design. of the park and to foster a productive dialogue with the surrounding neighborhood and urban landscape. For more information on High Line Art, please visit

The High Line is both a non-profit organization and a public park located on the West Side of Manhattan. Through our work with communities on and off the High Line, we are dedicated to reinventing public spaces to create connected and healthy neighborhoods and cities.

Built on an elevated historic rail line, the High Line was always meant to be more than a park. You can stroll through the gardens, view artwork, catch a performance, enjoy food or drink, or connect with friends and neighbors, all while enjoying a unique perspective of New York City.

Nearly 100% of our annual budget comes from donations. The High Line is owned by the City of New York and we operate under a license agreement with NYC Parks.

For more information, visit and follow us on Facebook, TwitterInstagram.

Main support for High Line Art comes from Amanda and Don Mullen. Major support for High Line Art is provided by Shelley Fox Aarons and Philip E. Aarons, The Brown Foundation, Inc. and Charina Endowment Fund. Project support is provided by Charlotte Feng Ford and Vivian and James Zelter. Additional support is provided by the Andy Warhol Foundation for the Visual Arts. High Line Art is supported, in part, by public funds from the New York State Council for the Arts with support from Governor Kathy Hochul and the New York State Legislature, and the Department of Cultural Affairs of New York City in partnership with the New York City Council.

@HighLineArtNYC @paulmaheke #Afirecircleforapublicearing

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